Passport Jacket by Lisette

Passport Jacket

Passport Jacket and my Proper Attire Skirt

I’ve been working on this jacket for the past 3 weeks. It didn’t take that long to put together, it was just a matter of making all of the decisions about what adjustments to make regarding fit, length, number of buttons, etc… This is a Simplicity pattern by the designer Liesl Gibson of Oliver & S fame. Oliver & S in an independent pattern company that has the absolutely most adorable children’s patterns.

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Jacket & dress pattern

The jacket was part of the online garment sewing class I’ve been taking. Sadly the class ended this week and I have not started the 4th and last piece which is a dress. I am very pleased to have the jacket done, and just in time for cooler weather.

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I made the View C jacket which is unlined and has a straight collar. I added a little bit of embroidery to the collar and the pocket welts.

Embroidery to collar and pockets

Embroidery to collar and pockets

This was very simple to do on the individual pieces before they were attached to anything. I did interface them before doing the embroidery. I used a variegated thread in a black/gray color that doesn’t show up too strongly – taking this picture was a challenge. It was my intention to add this little detail but not have it be too “in your face”.

Embroidery on finished collar

Embroidery on finished collar

Alterations I made to the pattern:

I added 3″ to the length of the jacket and to the sleeves. This made my sleeves long instead of 3/4 length.

I put 3 buttons down the front instead of just the one at the top.

I made an adjustment to the center back to make it fit better on my shoulders.

What I like about the pattern:

It fits really nice and the black twill I chose to use is very soft and nice feeling.

It can be worn with a lot of different clothing.

The button loops are a lot easier to make than buttonholes!

What I don’t like about the pattern:

I’m not sure I love the asymmetry of the front closure or that the jacket is not lined. I’m pretty sure I will feel as though it has to be worn closed rather than open. What do you think?

Would I make this pattern again?

Maybe. If I did, I might try the ruffled collar, make it smaller and only put the top button loop on. I would also lower the pockets which are a bit high.

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Pockets!

Pockets!

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Filed under Garment sewing, Pattern review, Uncategorized

Mary’s Quilt Shop and Victoria Findlay Wolfe

Mary's Quilt Shop in Bedford, PA

Mary’s Quilt Shop in Bedford, PA

Last weekend I had the pleasure of traveling from DC to Bedford, PA with 4 other members of the DC Modern Quilt Guild to spend 2 nights in the retreat center of Mary Koval’s Quilt Shop. Mary is an expert on antique quilts and fabrics.

Mary's Quilt Shop

Mary’s Quilt Shop – Photo by Anjeanette Klinder

She works with Windham fabrics to reproduce 18th and 19th century fabrics and that is primarily what she sells in her shop. She is a gracious hostess and made us feel right at home in her fabulous retreat space. We had a room on the ground floor to do our sewing.

Sewing space

Sewing space

A living room and kitchen on the first floor.

Kitchen and dining area

Kitchen and dining area – Photo from Mary’s website

And bedrooms complete with antique quilts on the beds on the second floor.

Bedroom in the retreat space.

Bedroom in the retreat space. Photo by Anjeanette Klinder.

We spent two days working on our own projects. For dinner on both nights we went to a restaurant down the street called the Birds Nest. I’m sure there are other nice restaurants in Bedford, but we were so impressed with the dinner the first night, we decided to go back instead of trying another place.

DCMQG members at the Bird's Nest

DCMQG members at the Bird’s Nest

Sunday afternoon, Mary hosted a lecture and trunk show by Victoria Findlay Wolfe. Victoria is the author of the book 15 Minutes of Play and one of her quilts won the best in show at the Modern Quilt Guild’s first show – Quilt Con.

She did not have that quilt with her for the trunk show as it is currently hanging in Houston, but she did show us some process pictures of making it and this youtube video shows her telling about it.

She did have many, many beautiful quilts to show us. It was a pleasure to see them and to get to know her a little bit.

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Mary Koval, Victoria Findlay Wolfe and DCMQG members

Mary Koval, Victoria Findlay Wolfe and DCMQG members

Bedford, Pennsylvania is a quaint little town and Mary’s Quilt Shop and Retreat is a wonderful place for a nice little get away. I highly recommend it if you live in the area or near the area. It was about a two and a half hour drive from where I live in Washington, DC.

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Proper Attire Skirt by Anna Maria Horner

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My finished skirt

I made the Proper Attire Skirt this past week as part of the Fall Wardrobe e-course I’m taking from Deborah Moebes. It is a pattern by Anna Maria Horner and includes sizes XS to 4XL. The only measurements that the pattern envelope lists are finished dimensions and so you have to judge the size to make based on that.

Pattern envelope

Pattern envelope

I did make a muslin of the pattern to check for sizing. Luckily I did not have to make many adjustments to the size that I chose.

Muslin to check for fit.

Muslin to check for fit.

There was some fullness in the hips, just below the yoke, that I flattened out on the pattern pieces and I ended up adding 3 inches to the length.

Finished skirt and the Sorbetto top that I made last week.

Finished skirt and the Sorbetto top that I made last week.

The fabric I used was a bottom weight 100% cotton that was 60″ wide. It wasn’t quite as heavy as a twill, but was much heavier than a quilting weight cotton. I bought it at Hancock Fabrics where I never would have expected to find anything I liked. (I went there because their McCalls patterns were on sale and our last garment for this e-course is a McCall’s dress.) I have to admit that this fabric was a dream to sew with.

Knife pleat and piping detail

Knife pleat and piping detail

I used packaged piping and did not insert it in all of the areas that the pattern suggested. (Putting a stripe right across my belly did not seem very appealing to me). The skirt is completely lined and has an invisible zipper in the back.

Alterations I made to this pattern:

I took the curve out of the side seams below the yoke, lengthened the skirt by 3 inches and excluded the piping across the front yoke.

What I like about this pattern:

The finished skirt feels like a very well made and tailored garment.

What I don’t like:

The pleat does not hold it’s shape very well when the skirt is worn. A good friend who has done a lot of garment sewing suggested I edge stitch it. This has helped a great deal but it’s not perfect.

Would I make it again?

No. I think that I will wear this one quite a bit, but I don’t feel as though I like it enough to make another.

 

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Vegetable Aprons

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“Hanging out” in the garden!

These are vegetable aprons that I was commissioned to make hanging up on the fence of my local community garden. This is actually my plot within that garden. It is located in Rock Creek Park right here in Washington DC and has been the source of lots of good things to eat this summer.

Bell peppers

Bell peppers

I was contacted through my blog by someone who had seen the bell pepper hot pad I had made as part of the Patchwork Please sew along.

Front of pepper hot pad.

Bell pepper hot pad.

They asked me if I could make something similar to this into an apron. They wanted 3 different colored bell peppers and 3 different colored eggplants.

Eggplants

Eggplants

I didn’t know that green eggplants exist, did you? (It could double as a pear!)

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My daughter wearing the white eggplant apron.

They also wanted a tomato.

Tomato (cross-section)

Tomato (cross-section)

They wanted them all to have pockets which is what that darker area across the middle of them is. (In the garden pics)

Pockets!

Pockets!

I thought I was pretty clever making the “seeded” sections travel across the pocket of the tomato.

Ribbon ties

Ribbon ties

The aprons all have grosgrain ribbon ties at the neck and for around the waist.

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It was a ton of fun to make these aprons! Solid fabrics were requested. I think it would have been even more fun to sew them in more interesting fabrics (like the hot pad). I was sad to send them off. Maybe I’ll be making some more soon for myself, just for fun! They sure looked cheerful on that garden fence.

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The Sorbetto top from Colette

Sorbetto top with added sleeves.

Sorbetto top with added sleeves.

I’m taking the Whipstitch Fall Garment Class online. Last week we learned a lot about preparing fabrics and patterns. This week we worked on the first project which is the Sorbetto top from Colette.

This pattern available as a free download

This pattern is available as a free download

You can download the pattern here which prints out on regular sized paper (16 pages!) and you cut and tape the pages together. It comes in sizes 0 – 18. It was suggested that we make a “wearable muslin”. This means sewing up the pattern in a fabric that you won’t be too disappointed if it doesn’t fit perfectly. This way you would make adjustments to the pattern to make it up in fabric you really love (but you would also be able to wear the not as perfect version in the other fabric).

Muslin top to check for fit

Muslin top to check for fit

I had plenty of muslin and not enough yardage of “other” fabric and so I just went ahead and made it in muslin – in 2 different sizes because I was between sizes. – isn’t that always the way? I also experimented with adding a sleeve. There were several sleeve versions that other sewing bloggers have kindly drafted that I was able to find online and print out.

Drafted sleeves for the Sorbetto top

Drafted sleeves for the Sorbetto top

Mena Trott from the Sew Weekly gives a roughly drafted sleeve pattern here (pictured in the middle above). Mena blogged about a week of Sorbetto tops that she sewed. She made a different version each day for a week. You can find  links to them at the bottom of this post of hers.

The Sleeve Pattern on the bottom is a version that Claire from Sew, Incidentally made up as a pdf from Mena’s version. Both were way too small for my size blouse so I lengthened both at the ends and in the middle to get a pattern that would fit.

I did not make any changes to the armhole of the blouse and sewed the sleeve in with a 1/4″ seam allowance as this is what was called for if you bound it with bias tape.

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I added 2 inches to the length of the top

The Sorbetto top is a very basic pattern. There is a front and a back, both cut out on the fold. The pleat detail in the middle of the front is very simple to make. There are bust darts on the front and the directions give you very good advice about sewing those. The neck and armholes (if you don’t add sleeves) are finished with bias tape – either cut from the same or contrasting fabric or purchased. The bias tape is sewn to the inside and then flipped to the outside such that it shows. It adds a nice finishing detail.  The hem is simply folded over twice and stitched.  There are no buttons or zipper – must be pulled on and off.

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Sheer fabric

I made my version from 100% cotton black dotted swiss fabric which I purchased at G. St. Fabrics. This is one of those fabrics that is very sheer looking by itself but not when you’re wearing it.

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Alterations I made to this pattern:

Added sleeves, added 2 inches in length and made a very slight adjustment to the neckline because it felt too wide.

What I like about this pattern:

Very simple to make and also simple to change up. Bias neckline could be contrasting fabric. Buttons or interesting trim could be sewn to the front pleat. Shirt is very comfortable to wear.

What I don’t like:

Boxy shape. Neckline still feels a bit wide.

Would I make it again?

Probably yes, but I don’t feel as though I want to make another right away (which means I’m not 100% in love with it)!

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Online garment making class.

I’ve been really wanting to do some garment sewing. There have been a number of friends lately that have sewn up the cutest summer tops and dresses. My past attempts to sew for myself have not been terrific and it’s pretty disappointing to spend both the time and money to sew something and not have it fit correctly. A month or so ago I found this class by Deborah Moebes on sewing a 4 piece wardrobe and decided to sign up.

fall-wardrobe-2012

 

Deborah teaches sewing classes both online (at http://www.whipstichfabrics.com) and in person at the Whipstitch Lounge in Atlanta. She also has a class on Craftsy called Design and Sew an A-Line Skirt.

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The wardrobe e-course started today and is still open for enrollment through next Sunday (register by 8/11/2013). The garments we will be working on include:

1. The Sorbetto top from Collette (a French pattern maker) which is a free download.

2. A skirt pattern by Anna Maria Horner which has 2 different versions.

Proper Attire Skirt Pattern

Proper Attire Skirt Pattern

3. A lined princess seamed dress pattern from McCalls

McCalls 6741

McCalls 6741

4. The Passport Jacket which was designed by Liesl Gibson of Oliver & S (known for their wonderful children’s patterns) which has two collar versions – either ruffled or peter pan.

Simplicity 2209

Simplicity 2209

Deborah picked these 4 patterns because she believes they will fit and look good on all body types. Here’s hoping!

We have started to introduce ourselves to the class in an online forum and some of the other participants have taken an e-course from Deborah in the past (sewing with knits, sewing for children, etc.) I think this is the highest recommendation. Obviously these ladies had a good experience and are back for more. I have also learned that, Heather, one of my DC Modern Quilt Guild friends is enrolled so that will make it even more fun for me as well.

Wish me luck! (I may need it).

 

 

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Mesh Beach Bags

Ready for the beach!

Ready for the beach!

I made these 3 mesh beach bags recently for my nephew’s 3 little boys (ages 2 – 6). I thought they would be the perfect thing to carry their beach toys in. When they were done playing with them, they could throw the toys back in the bag and just give it a little shake to get rid of the sand.

I bought the colored mesh at a local quilt store.

Colored mesh comes in a roll that is 18" x 36" for about $5.25.

Colored mesh comes in a roll that is 18″ x 36″ for about $5.50.

Don’t you love the bug fabric? It was perfect to use with all 3 colors of the mesh.

This was a very simple project. I folded the mesh in half and sewed down the sides. Luckily my friend, Jan, had previously made a similar bag and suggested I sew the side seam with a french seam. This creates a smooth edge to the inside seam instead of something jagged that would possibly hurt little hands or catch on the toys or towel that you’re trying to get into or out of the bag.

Inside french seam

Inside french seam

Next was to box the bottom corners. This had to be done as a regular seam.

Boxed bottom corners.

Boxed bottom corners.

I sewed across the bottom corners and then cut the excess mesh. I did do a zig zag stitch over the seam edge to give it some extra strength.

The bug fabric was cut into 2 inch strips x WOF. I sewed 2 strips together lengthwise and then ironed the opposite raw edges under about 1/2 inch. I laid this right over the top of the mesh, marked exactly where the fabric should be joined to form a circle the width of the bag and then removed it and sewed this seam in the fabric. I’m afraid I don’t have pictures of this step. I think I got so excited about finishing up the bags so quickly, that I forgot to take more pictures!

Top of bag

Top of bag

The fabric was placed back on the top of the bag so that the mesh is right up against the top of it. I edge stitched around both the top and the bottom of the fabric strip.

Black webbing was used for the handles and secured onto the inside of the bag with both a square and an X in machine stitching.

Finished bags

Finished bags

That’s it!

The boys loved them!

The boys loved them!

Heading to the beach.

Heading to the beach.

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Filed under Family, Gifts, Purses and Bags, Tutorials

Dear Jane and Dear Jim

4 of the Dear Jane quilts at the Vermont Quilt Festival

4 of the Dear Jane quilts at the Vermont Quilt Festival

Last week was my birthday and also the Vermont Quilt Festival. I live in Washington DC but we were traveling to see family in the New England area for the 4th of July holiday. When I learned that the quilt festival was taking place while we were going to be nearby, I asked my husband, Jim, if we could travel there and visit it “for my birthday”. Now really, what could he say?

My husband, Jim, at the Dear Jane exhibit. This quilt was made by Goldie Morrow of Rumney NH.

My husband, (Dear) Jim.
This quilt was made by Goldie Morrow of Rumney NH.

I had no idea before I looked through the festival booklet that there was going to be an exhibit of Dear Jane quilts. For those of you who don’t know what a Dear Jane quilt is, here is a very brief history. Jane A. Stickle from Shaftsbury, VT made the quilt below which is dated 1863. It is part of the Collection of the Bennington Museum in Vermont.

Quilt by Jane A. Stickle. From the Collection of the Bennington Museum in VT.

Quilt by Jane A. Stickle. From the Collection of the Bennington Museum in VT. Photo from the book Dear Jane

Label from Jane's quilt.  "In War Time.  1868.  Pieces 5602 Jane A. Stickle"

Label from Jane’s quilt.
In War Time.
1868.
Pieces 5602
Jane A. Stickle

In 1992 Brenda Papadakis saw a picture of this quilt and was fascinated with it. She spent the next 4 years drafting the 225 patterns and researching Jane’s life. She published her book Dear Jane in 1996 and quilters from all over the world have been making versions of it ever since.

Book by Brenda Papadakis

Book by Brenda Papadakis

I first became familiar with Dear Jane quilts by this quilt that hangs in my friend’s kitchen area. I love this quilt!

Quilt by Anne Brill of Washington, DC.

Quilt by Anne Brill of Washington, DC.

Brenda Papadakis curated the Dear Jane exhibit at this year’s Vermont Quilt festival where approximately 33 quilts hung. Click here for more information about all things “Dear Jane”.

The following are photos I took of the quilts at the exhibit. I did not photograph them all but tried to get a variety of what was shown.

Quilt by Carol Archuleta of San Ramon, CA

Quilt by Carol Archuleta of San Ramon, CA

The quilt below was started in 1999 as a class sample at The City Quilter in NYC. 14 years later their classes are still going strong. They titled their quilt “In Our Time (aka Technicolor Jane).

Made by Judy Doenias and Diane Rode Schneck of NY, NY.

Made by Judy Doenias and Diane Rode Schneck of NY, NY.

"Sunny Jane" made by Linda Pederson of Marysville, WA.

“Sunny Jane” made by Linda Pederson of Marysville, WA.

From the show program about the red and white quilt below – “This quilt was made in 2011 for Joanna Semel Rose in thanks for her exhibition, Infinite Variety: Three Centuries of Red and White Quilts.  Thirty-six quilters worked together for nine months, in time for her 81st birthday. We knew this was one quilt design she did not have in her vast collection!”

Infinite Gratitude made by Deborah Semel Bingham, NY, NY

Infinite Gratitude by Deborah Semel Bingham, NY, NY

Detail of quilt above.

Detail of quilt above.

The quilt below is titled “Kitschin Jane” as the maker wanted elements of humor, surprise and “kitsch” in her version.

Kitschin' Jane by Amy Ronis of NY, NY. She wanted elements of humor and surprise in her version.

Quilt by Amy Ronis of NY, NY.

Detail of quilt above.

Detail of quilt above.

This next quilt is the cover quilt for Brenda Papadakis’ book Dear Hannah – in the Style of Jane Stickle.

Made by Edith Shanholt of Elkhart, IN

Made by Edith Shanholt of Elkhart, IN.  Quilted by Cathy Franks.

Detail of above quilt.

Detail of above quilt.

Dear Hannah book from Amazon website

Dear Hannah book from Amazon website

I did not manage to get the number on the next 3 quilts in my photographs and can not give credit to who made them. Please contact me if you know so I can edit this post.  However, I did not want to leave these beautiful quilts out!

The first one has blocks that are set on point and has beautiful quilting throughout the “empty” space.

Lovely pastel looking version from a distance.

Very traditional  looking version from a distance.

Close-up shows a bright Kaffe Fassett print and lovely scalloped border.

Close-up shows a bright Kaffe Fassett print and lovely scalloped border.

Edited later: The quilt above is Never Say Never by Laura Fraga of San Ramon, CA

Interesting sashing and corner blocks.

Interesting sashing and corner blocks.

Edited later: The quilt above is Birthday Jane by Kerry Marksbury of San Diego, CA. Quilting friends gave her 25 blocks for her 50th birthday.

A very pretty pastel version.

A very pretty pastel version with scalloped border.

Edited later: The quilt above is Remember Me by Val Champ of Ontario, Canada. It is a tribute to all the people she lost during it’s constructions.

The next quilter says it took 15 years to finish her quilt which she has titled “Forever Jane”. It also has a beautiful scalloped border.

Forever Jane by Gay Bomers of Grand Rapids, MI.

Forever Jane by Gay Bomers of Grand Rapids, MI.

“Newfangled Jane” was made with the bright, saturated colors and large prints of Kaffe Fassett.

Newfangled Jane! by Gwen Nishida of Irvine, CA.  Quilted by Judi Madsen.

Newfangled Jane! by Gwen Nishida of Irvine, CA.
Quilted by Judi Madsen.

This next quilt was made by 225 members of the Dear Jane internet group and presented to Brenda Papadakis at the first Dear Jane Gathering at the 2000 Vermont Quilt Festival.

The Spirit of Jane Stickle. Group quilt.

The Spirit of Jane Stickle.
Group quilt.

Marbelous Jane by Claire Baker of Middlebury, IN.

Marbelous Jane by Claire Baker of Middlebury, IN.

The maker of the Marbelous Jane quilt used Kaufman’s Marbelous fabrics. This is her 5th completed Dear Jane quilt and she downsized the blocks to 3″.

Black Jane by Linda Starkey of Denver, CO.

Black Jane by Linda Starkey of Denver, CO.

Dear Jane retreats are held in Shipshewana, IN two times a year. In the Spring of 2005, 35 participants exchanged blocks made in Amish solid colors.

Shipshewana Friends Deb Kloss of Minneapolis, MN

Shipshewana Friends
Deb Kloss of Minneapolis, MN

The last quilt I have to show is a miniature Dear Jane quilt. The maker made 2″ blocks instead of the standard 4-1/2″.

Mini Jane by Barbara Larson of Chaska, MN

Mini Jane by Barbara Larson of Chaska, MN

Jim shows how small this quilt is.

Jim shows how small this quilt is.

For perspective, here he is with the quilt at the top of the page again.

Jim with the quilt made by Goldie Morrow.

Jim with the quilt made by Goldie Morrow.

Jim really was “dear” to spend the day with me at the Vermont Quilt Festival. Thank you Dear!

Other blog posts about these quilts (with more pictures) can be found here and here.

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Happy Fourth of July!

Flag quilt top

My flag quilt top

The Fourth of July is a fun holiday for me. I spend it in NH on Lake Winnisquam with my brother and sister and as many of our kids as can come. My brother has 3 grandsons that live nearby and they definitely add to the fun and excitement. This year about 2 weeks prior to traveling I was on a road trip (by bus) with the Needlechasers of Chevy Chase to a quilt shop called Patches in Mt. Airy, MD.

Patches - quilt shop in Mt. Airy, MD

Patches – quilt shop in Mt. Airy, MD (Picture from their website)

There was a quilt laying near the cutting table that was essentially a flag. I really loved how it was pieced together in different shades of red and white and had a star fabric for the blue canton. I immediately wanted to make one and figured, as I often do, how easy it would be to make up fast! So despite the fact that the store staff was busy cutting fabric for our 40 or so members on the trip, I was able to ask if they had the star fabric, and luckily they did.

Needlechasers shopping at Patches

Needlechasers shopping at Patches

Patches flag quilt.

Patches flag quilt.

I took this picture of their quilt because I liked the easy wavy quilting that was done on it. (Are you catching on to what was important to me?) I chose fat quarters and took them home, washed them and cut them into 3″ squares.

On the following weekend, the DC Modern Quilt Guild had a sewing retreat for 3 days. I had a serger there for a different project and decided it might be quicker to use that to sew all these squares together. Since completing it, I’m really not sure that it made ANY difference at all in the time it took, but I did love how tidy the back was when I was done.

Serged back to the quilt

Serged back to the quilt

I got the quilt top done at the retreat but didn’t have any backing fabric so the final backing, quilting and binding was done at home.

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Working on the wavy quilting.

Quilting this way with a walking foot was very easy. I used matching thread and did a wavy line on each of the red and white stripes. I did a diagonal straight line through the star fabric.

Diagonal quilting

Diagonal quilting

Finished quilt is 60 x 32.5"

Finished quilt is 60 x 32.5″

I originally thought that this quilt would be a table topper but the size may be a little awkward for that. I think that we will display it off the deck as though it were a flag. Surely no one will get close enough to count the stars. Although the size of the stars look about right for the size of the flag, there are actually 70 stars!

Added later:

I gave the flag quilt to my brother and sister-in-law while cruising Lake Winnisquam in a pontoon (party!) boat from Winnisquam Marine which my brother owns and operates.  It turns out that it’s actually a pretty good quilt for keeping warm.

Sunset on Lake Winnisquam

Sunset on Lake Winnisquam

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Filed under DC Modern Quilt Guild, Family, Gifts, NeedleChasers of Chevy Chase, Quilt Shops

Fussy cutting is too fussy for me!

My Polka Dot Cafe Apron. Week 4 of the Zakka 2.0 sew along.

My Polka Dot Cafe Apron.
Week 4 of the Zakka 2.0 sew along.

I like this definition by the Nerdy Sewist – “Fussy cutting” is the phrase used, generally by quilters, to describe cutting a detail or particular piece of a pattern from the fabric, as opposed to just cutting a strip from the fold to the selvedge. Fussy cutting is particularly common when it comes to novelty printed fabrics…”

Polka Dot Cafe Apron - photo from the book Patchwork Please by Ayumi Takahashi

Polka Dot Cafe Apron – photo from the book Patchwork Please by Ayumi Takahashi

This week’s Zakka 2.0 sew along project from the book Patchwork Please is the Polka Dot Cafe Apron.  This apron involves making up 3 patchwork squares sewn together to form a pocket for the apron.

Patchwork squares by Angela Pingel of Cut to Pieces.

Great example of fussy cutting by Angela Pingel of Cut to Pieces.

As you can see, both Ayumi and Angela meticulously cut their fabric in order to place these little bits of fabric exactly where they wanted them in their patchwork squares which are only 6 inches square! Their aprons really look fabulous and show all the work they did.

Cafe Apron by Angela Pingel

Cafe Apron by Angela Pingel

Angela is the guest blogger this week for the sew along and has a wonderful post here of making this apron with lots of tips and pictures.

The book comes with templates for these little patchwork squares and triangles and suggests you position them on your fabric and cut around them. This already seemed too fussy for me but I gave it a try.  Basically I turned a perfectly good piece of fabric into this:

How I tried to fussy cut some of these kitchen motifs.

How I tried to fussy cut some of these kitchen motifs.

And the result was not wonderful due to the size and spacing of the objects on the fabric. Not to mention the fact that they are all on the diagonal!

My attempt at fussy cutting

My attempt at fussy cutting

For the other 2 blocks I decided to flat out paper piece them and not worry about fussy cutting. It was not difficult to turn the template in the book to a paper pieced pattern.

Paper pieced pattern

Paper pieced pattern

This piecing went rather quickly once I decided on the fabrics to use.

Paper pieces ready for joining

Paper pieces ready for joining

I tried to use as many polka dot-like fabrics as possible.

Polka dots!

Polka dots!

I had bought some dishtowels for the week 2 project that I did not end up using and they seemed the perfect size for this cafe apron. So I simply sewed my finished pocket onto this pale yellow dishtowel and then added the sash as described in the book (by folding the top over an inch and catching the sash in the sides).

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Finished cafe apron.

I am very happy with the result. In the future, I may try to fussy cut a piece here or there, but I will never be able to cut every major piece this way. I just love the sewing too much to spend that much time on the cutting!

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Filed under Pattern review, Zakka Style sew along